The Hell of Copper, Nyaba Leon Ouedraogo's photography

Nyaba Leon Ouedraogo The Hell of Copper

The Hell of Copper (L’enfer du Cuivre), Accra, Ghana, 2008.

The Hell of Copper (L’enfer du Cuivre), Accra, Ghana, 2008.

The Hell of Copper (L’enfer du Cuivre), Accra, Ghana, 2008.

The Hell of Copper (L’enfer du Cuivre), Accra, Ghana, 2008.

The Hell of Copper (L’enfer du Cuivre), Accra, Ghana, 2008.

The Hell of Copper (L’enfer du Cuivre), Accra, Ghana, 2008.

The Hell of Copper (L’enfer du Cuivre), Accra, Ghana, 2008.

The Hell of Copper (L’enfer du Cuivre), Accra, Ghana, 2008.

The Hell of Copper (L’enfer du Cuivre), Accra, Ghana, 2008.

The Hell of Copper (L’enfer du Cuivre), Accra, Ghana, 2008.

Artist's Statement

Over the past few years Ghana has become one of the principal countries to receive electrical waste materials coming from Europe and the United States. In The Hell of Copper I wanted to be as precise as possible; not showing my images for what they depict, but for what they transmit. These thousands of used computers have dramatic consequences for the environment and the health of the workers. In Accra, the capital of Ghana, a true retail chain has been established around the “e-waste” traffic. It is an illegal, but tolerated business since it generates enormous amounts of money. 

Ghanaians living in Europe and the United States collect used computers and send them by boat to the port of Tema, where wholesalers buy up the stock. The machines are then put on the road to Accra, where buyers purchase them and have them burned by children. The copper that is culled is then resold to Nigerians or Indians, who rework it mostly to make jewellery that is sold cheaply in Europe. In the world, there are various cemeteries for computers—Nigeria, Vietnam, India, China, the Philippines—like the one at the Aglobloshie Market. According to the UN, up to 50 million tons of electrical and electronic waste are thrown away in the world every year. Thus, the garbage of the rich poisons the children of the poor.

Disastrous Work Conditions
The dump at the Aglobloshie Market spreads over 10 kilometres. From dawn to dusk, dozens of young Ghanaians, from 10 to 25 years of age, exhaust themselves doing this, seven days a week. Their mission is to disassemble the old computers and burn certain plastic or rubber components to cull the precious copper, which will then be resold. Everything is done by hand or with iron bars, makeshift tools found among the refuse. They have neither masks nor gloves. There are not even any functioning toilets.

Disastrous Work Conditions
The dump at the Aglobloshie Market spreads over 10 kilometres. From dawn to dusk, dozens of young Ghanaians, from 10 to 25 years of age, exhaust themselves doing this, seven days a week. Their mission is to disassemble the old computers and burn certain plastic or rubber components to cull the precious copper, which will then be resold. Everything is done by hand or with iron bars, makeshift tools found among the refuse. They have neither masks nor gloves. There are not even any functioning toilets.

A Health and Environmental Catastrophe
The children of the Aglobloshie Market are exposed to substances and materials that are particularly harmful to their health, which Greenpeace analyzed in a report published in 2008. These are:
- Lead: found primarily in the cathode tubes and monitors, it can harm the nervous, reproductive, and circulatory systems
- Mercury: found in flat screens, it can harm the nervous system and the brain, especially in young children
- Cadmium: found in computer batteries, this toxic product is dangerous for the kidneys and the bones
- PVC: when burned, this plastic used to insulate electrical wires gives off carcinogenic chemical substances that can cause respiratory, cardiovascular and dermatological problems.

Toxic substances that are given off during burning also contaminate the water and the ground of the dump, which cows and sheep used for pasture amidst the carcasses of computers. The planet and its citizens live through electronics. Now people must understand the injustices and the sad environmental and human consequences of our global electronic economy.

 

About the photographer

Born

1978, Burkina Faso

Nationality

Burkinabe

Based in

Paris, France

Nyaba Leon Ouedraogo turned to photography after a serious injury prevented him from pursuing his career as an athlete. Since then he has worked as an assistant to Jean-Paul Dekers, the still-life, fashion and industrial photographer based in Paris. Ouedraogo has made a particular speciality of travel-based photographic journalism. His approach, which blurs the lines between photojournalism and documentary work, involves, in his words, “not showing the images for what they depict, but for what they transmit”.

Ouedraogo has exhibited his work in numerous galleries in France, Morocco and Martinique. His work has been featured in various publications, including View Magazine and GEO. He won the Coup de Coeur prize at Bourse du Talent two years running in 2009 and 2010. He is co-founder of the Topics Visual Arts Platform group.