The Storm | Balazs Gardi

Balazs Gardi The Storm

1.46pm, January 6, 2021, Washington, DC, 2021

12.08 am, November 3, 2020, Grand Rapids, Michigan

4.04 pm, November 7, 2020, Harrisburg, Pennsylvania

2.08 pm, January 6, 2021, Washington, D.C, 2021

2.15 pm, January 6, 2021, Washington, D.C, 2021

3.01 pm, January 6, 2021, Washington, D.C., 2021

3.33 pm, January 6, 2021, Washington, D.C., 2021

2.33 pm, January 6, 2021, Washington, D.C., 2021

4.56 pm, January 6, 2021, Washington, D.C., 2021

Artist's statement

Gardi created this body of work in the aftermath of the 2020 United States presidential election. Events in the weeks that followed had the feel of a gathering storm, and on 6 January, while he was chronicling the attack on the Capitol, he felt the storm had arrived. The image of insurrectionists and riot police drenched in pepper spray, struggling against each other, is illustrative of the surreal and brutal rage that sent shockwaves throughout the country and beyond.

The leader of the free world looked on as his followers surged towards the point where the certification of the election he had lost was underway. The thud of stun grenades grew louder as Gardi followed them up the National Mall, past the wooden gallows they had erected. At the barricades, a man in a cowboy hat lifted his jacket to show Gardi a revolver tucked into his waistband. Beyond him, a mob engaged in vicious hand-to-hand combat with outnumbered police. Gardi, navigating his way through the fumes of caustic chemicals, jets of pepper spray and the occasional barrage of rubber bullets, wondered how this outburst would alter the founding principles of the country he had recently started to call home.

In Gardi’s words, ‘The use of demagoguery, intimidation and fearmongering by self-serving politicians is not new. As a young photographer in Hungary, I witnessed how malicious propaganda helped morph a freshly liberated Soviet client state into a kleptocracy, hiding under the crumbling facade of a Western democracy.’

Gardi warns us how easily a privileged society can slide into an Orwellian dystopia.

Four years ago, at Freedom Plaza in downtown Washington, D.C., he listened to a young man deliver a proudly fascist speech, unaware that below his feet lay buried a time capsule filled with files honouring the legacy of Martin Luther King, Jr. In 2025, Donald Trump was sworn into office on the day the country commemorates King. During his address, Trump hailed his inauguration as ‘Liberation Day’. One of his first acts as President was to pardon or rearol everyone who had attacked the Capitol four years earlier.

Gardi gathered these photographs to alert future viewers to the prospect that what he witnessed can happen anywhere.

As he says, ‘The storm is here.’

All artwork courtesy of the artist.

About the photographer

Born

Budapest, Hungary, 1975

Nationality

Hungarian

Based in

Oakland, California

About Balazs Gardi

Gardi began his career as a photojournalist after studying photography in his native Hungary, and at Cardiff University’s School of Journalism in the United Kingdom.

He is known for creating long-form immersive projects that explore the tension between people and their environment. He seeks to highlight the grotesque conflict and surprising beauty that human activity often produces. Gardi devoted more than two decades to capturing the landscape of the war in Afghanistan and has travelled to dozens of countries to survey the far-reaching consequences of the global water crisis.

Solo exhibitions of Gardi’s work have been held at venues including the European Parliament, Brussels (2005); Dokufoto, Prizren, Kosovo (2007 and 2008); The New York Photo Festival (2011); and Roca Gallery, Barcelona (2015). He has also participated in group exhibitions at venues including Museum of Fine Arts, Budapest (2008); Les Invalides, Paris (2009); The Annenberg Space for Photography, Los Angeles (2009); The Museum of Fine Arts, Houston, Texas (2012); and Saatchi Gallery, London (2022).

Gardi has received grants and fellowships from the Alexia Foundation; NIK Global Foundation; Magnum Foundation; Reuters Foundation and Getty Images. He is the recipient of the Bayeux Calvados Award for War Correspondents in 2008; the Global Vision Award at Pictures of the Year International in 2009; and three first prizes at World Press Photo.